Here’s a painting I’m currently working on. Plaster and watercolour on panel; a kind of bastardised fresco. No great theme, no attempt to proselytise, no comment on society…
space, line, colour and composition… pictorial problem solving in the form of a self portrait.
Pint of Guinness at The Fiddler’s Elbow, Santa Maria Novella in the background, Watercolour on Paper (2023)
During my MA studies at Gray’s school of art (2019-21) I was fortunate to be awarded a John Kinross scholarship by the Royal Scottish Academy, enabling me to study in Florence. I undertook the scholarship in October 2022, and have added a selection of works relating to the scholaship to the website at this page: https://mattwells.art.blog/florence/
30 x 25cm, acrylic on canvas
My small canvas studies base on the monochrome illustrations in Cesar Ripa’s iconologia continue. These are learning aids in a way, embedding postures, fabric folds and symbolic elements in my muscle memory to enhance my improvised drawings.
Allegory of Fidelity, acrylic on canvas, 30 x 25cm.
the main composition is borrowed from the moral emblem in Ripa’s Iconologia.
Allegory of The Beginning, acrylic on canvas 30 x 25cm
main pose of the figure and symbolic element of the letter and small man in the creators hand borrowed from the Iconologia.
Occasionally I make collagey mixed-media works for fun. A way to explore interesting compositions and distortions outside of real world restrictions of perspective and proportion.
They also frequently allow a free exploration of a sort of grotesque as a result of the jarring combination of different scaled elements.
I have added some of these collages to my eBay shop: https://www.ebay.co.uk/itm/394355872772
During my MA studies (Grays School of Art, 2019-2021) I was fortunate to receive a an award from the Royal Scottish Academy to spend time studying in Florence.
I took the opportunity to visit this autumn, and was in my element visiting chapels particularly to investigate the fresco’s of Giotto, Daddi, Gaddi, Masaccio and their workshops. Opened up a way forward to develop my methods of narrative drawing.
A highlight for me was the Palazzo Vecchio, which I visited a couple of times to admire the murals.
I will of course add some photos of my time there, and the outcomes, but for now here are so images of my journey from Elgin to Florence: Train from Elgin to Aberdeen- Bus from Aberdeen to Edinburgh bus station- arrive around 1am- start walking from Edinburgh bus station towards the airport- walk past Haymarket and Murrayfield- walk a few miles and give to wait for a bus, sweating through my hoodie and jacket- bus to airport, try to doze sitting against wall- early flight, self conscious about sweaty ness from big walk, fly to London, couple hours wait, eat a burger- fly to Florence, even more self conscious of sweaty stinkiness and regretting not just getting a bus to Edinburgh airport in the first place- arrive in Florence, tired but happy.
For years I have periodically painted still life paintings of skulls. Sometimes these have taken a vanitas approach incorporating incorporating other symbolic elements (flowers/coins/ objects) to suggest a narrative or deeper meaning to the viewer.
More frequently they are something of a portrait of the skull where it is the sole or primary aspect of the composition .
In addition to attempting to develop a striking image, these paintings function as a form of painting practice, where I try to develop aspects of my skill and techniques.
Below are some recent examples:
As mentioned in previous posts, around 2017 I produced a number of illustrative paintings inspired by Patrick Suskind’s novel “Perfume”.
Prior to painting I produced a series of works on paper in biro or pencil, to develop the compositions in an improvisatory manner.
An ongoing work in oil and collage on panel
Matt Wells Art 