As mentioned in previous posts, around 2017 I produced a number of illustrative paintings inspired by Patrick Suskind’s novel “Perfume”.
Prior to painting I produced a series of works on paper in biro or pencil, to develop the compositions in an improvisatory manner.
The last (for now?…) studies influenced by songs from the Manic Street Preachers album “Everything Must Go” have been added to the gallery page: https://mattwells.art.blog/narrative-painting/portfolio/
Below are a few of them.
Around 2018 I embarked on a project producing drawings and paintings illustrating scenes inspired by Patrick Suskind’s novel “Perfume, the story of a murderer”.
The novel centres around an orphan named Grenouille who has a highly developed olfactory sense, despite possessing no odour of his own. His search for containing fragrance results in depraved activities culminating in mass murder.
All paintings are available unless otherwise stated, email: matthewgwells@outlook.com
Watercolour and ink on canvas, each £60
The largest painting (below) was damaged and subsequently destroyed, however it is available in digital form as an NFT, both static, in various stages of disintegration or as an animated gif. Available from Opensea.io
In 2018 I produced a series of drawings and paintings inspired by Patrick Suskind’s famous novel “Perfume”, centering around its protagonist Jean-Baptiste Grenouille; an orphan with a highly developed olfactory sense, who emits no odour of his own.
The largest painting in the series was a 100 x 150cm canvas of Grenouille as a hermit. This finest of pointing was damaged and subsequently destroyed, so all that remains of the IMAGE is a photograph.
The 1/1 NFT of this photograph is available to own in the absence of the physical object.
The hermit is accompanied by an animated gif showing digital destruction of an image and its reappearance, with states of disintegration chosen as images in their own right.
Available to buy on Opensea
New additions to the portfolio page, continuing my project of creating illustrations inspired by the songs from Manic Street Preachers seminal album “Everything Must Go”.
I’ve set up a new portfolio page: https://mattwells.art.blog/portfolio/
The first project I’m uploading is a set of illustrations inspired by the songs on Manic Street Preachers landmark fourth album, “Everything Must Go”.
As a teenager the Welsh band Manic Street Preachers were highly influential on my personal development. As with many teens I was enamoured by their complete package; appearance, musical sound, lyrics, album artwork and design… This was a time when one would physically hold the CD booklet whilst listening to the songs, absorbing the photographs, quotes and additional text, when music was not just filling silence in the background but an entire physical experience.
The works in my “Everything Must Go” series have been initiated in the year of the album’s 25th anniversary, and comprises of a suite of illustrations inspired by the lyrics of each song.
Below are selection of sketchbook images which informed the watercolour illustrations in the project.
This diptych was developed from a double sided drawing made in a science textbook. The absorbency of the textbook paper results in ink bleeding through to be visible on the reverse side, when alcohol based markers are used. These marks would trigger a (frequently related) new image, the bleed from which could affect the original drawing and provoke further mark making.
The two drawings I have here referred to in developing a painting struck me in there capacity to invite a narrative in the viewer, and a dialogue between to the two panels, my initial conception when approaching the painting being a title of “the conversation”, two people in there separate panels, possibly desiring contact but ultimately being alone (despite being together). The nature of drawing on both sides results in the setting being reversed, if both are viewed together we would appreciate this setting as being the same, but viewed from two sides. This simple fact suggested that perhaps both figures are indeed at the same place at the same time but separated by a barrier (wall/fence etc) as suggested by the relatively high horizon line). Two people alone, perhaps thinking they are individuals, noone else is like them, yet just over the wall is their equal. Possibly…
The final framed painting was produced using oil, acrylic, ink paints and varnish onto book pages which had been collaged on to two separate canvases, which are signed on the reverse side.
This painting is available for sale on my eBay store, with bids starting at £350.
Bid here: https://www.ebay.co.uk/itm/393650606449
I read Jerry Saltz’s article on Jasper Johns which ignited an interest in what Johns is currently doing, leading me to The Works on Paper exhibition currently on the Matthew Arks Gallery website, and a return to looking at my Johns books, with particular interest in the formal aspects of image construction and interplay of colour and object, which activated a link in my mind to a in many ways dissimilar artist in Patrick Heron. I always preferred the more “draughtsmanly(?)” Heron works, but enjoyed the visual vibration of the point where his juxtaposed colours meet. So I wanted to learn a bit about how to build high chromatic interesting fields by making drawings after and inspired by Heron’s 60s/70s era. Learning by drawing. Call me “Matt-Rick Heron”.
“Cleithrophobia” (10x7cm) is a fear of being trapped. When insurmountable stress and anxiety gathers we can often see no way forward or out of a situation and dwelling on the issues at hand creates self perpetuating concentric circles of suffering.
3 Small drawings on card added today. Featured in the group of drawings titled “Age of Anxiety” on http://www.aportablegallery.wordpress.com
Matt Wells Art 